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· Medium: Photo Collage on Paper

· Signature: Not signed artwork

· Type: One of a kind piece

· Dimensions: 11x17 inch (28x43 cm)

· Authenticity: Authenticated by ESTILO Magazine, sold without a certificate of authenticity

· Framing: Not framed


About the artist:

Alexander Apóstol was born in Barquisimeto, Venezuela, in 1969. He studied photography with Ricardo Armas from 1987 to 1988, and art history at the Universidad Central de Venezuela, Caracas, from 1987 to 1990. Apóstol has completed residencies with the Museo de Arte Contemporáneo de Maracay Mario Abreu, Venezuela (1998), Casa de América, Madrid (2002), and the Rockefeller Foundation Bellagio Center, Italy (2012–13).


Apóstol has had solo exhibitions at Sala Mendoza, Caracas (2004); Los Angeles Contemporary Exhibitions; Cisneros Fontanals Art Foundation, Miami; and Palau de la Virreina, Barcelona (all 2006); David Rockefeller Center of Latin American Studies at Harvard University, Cambridge, Massachusetts (2007); Museo de Arte Contemporáneo de Castilla y León, Spain (2010); and Centro de la Imagen, Lima (2011). He has participated in the group exhibitions Habitat/Variations, Bâtiment d’Art Contemporain, Geneva, and Lo(s) Cinético(s), Museo Nacional Centro de Arte Reina Sofia, Madrid (both 2007); Painting in the Glass House, Aldrich Contemporary Art Museum, Ridgefield, Connecticut, and Islands+Guettos, Neue Gesellschaft für Bildende Kunst, Berlin (both 2008); Photographic Typologies, Tate Modern, London (2010); The End of Money, Witte de With Center for Contemporary Art, Rotterdam, and Destello, Fundación Jumex, Mexico City (both 2011). Apóstol has also participated in the São Paulo Biennial (2002); Istanbul Biennial (2003); Cuenca Biennial, Ecuador (2004); Prague Biennial (2003 and 2005); San Juan Triennial, Puerto Rico (2009); Manifesta (2009); and Venice Biennale (2011). Apóstol lives and works in Madrid.


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